Ontario Writers Conference
Was a blast! I’m still reeling from the exhausting glory-fest that it was. Here are some things that have stayed with me so far:
Thanks, OWC. It was a great time. See you next year.
I was dumbfounded. Have you ever considered the depth of that word? Dumb and confounded. That was me. Fully. I stood there in the increasingly cold, nasty water and stared. Something fell apart in my mind, but I could not think of what it was. It was like my entire understanding of how everything good worked turned out to be broken. For here was the Husband and here was the Bride. Combined they were the foundation of everything right and good and happy. And something was horribly wrong.
I could not hold her mouth above water for long, and the Man’s strength overcame me and she sunk back into the water. Her eyelids began to sink again, like the look of a girl fighting sleep. Sleep won and she closed them. The Man looked at me without turning his head. Just barely a glance. As if only to let me know he saw me there, but was still choosing to ignore me.
“Ho, there, Man,” I said. “What is the meaning of all this?”
He did not look at me.
“I say, what means all this? Why are you treating your bride so? I had heard you freed her, but now it seems she is your captive!”
He spared me not a glance. I realized speaking with him was useless. It almost seemed that there was no life in him at all. And an ill realization took hold on me.
This is not the husband of Sume el Raj. An impostor. A kidnapper.
My heart sank into a hasty sort of anger. The anger felt pure. And maybe it was. I balled my hands into fists and set myself to fight against the man.
I lunged forward and struck him in the jaw. My fist crumpled against him and I heard a crack as one of the bones in my hand broke. I yelled and fell to my knees in the pain, getting dirty up to my neck.
I was so angry. Burning, red and black anger. So angry at this false husband of a man and the pain he had inflicted on me and Sume that I hardly noticed him place another hand on my head and push me lower into the water. I struggled and sputtered against him as the water entered my mouth and nose. I was able to get out, but not before swallowing more than a few mouthfuls of the grime.
I stood a few paces off, wary of the insidious man who had so fully captured Sume and nearly me with her. I looked into his eyes and saw nothing. I looked into Sume’s eyes and saw that sleepy pleading. But I was not the one to save her.
I came back to the shore, covered in grime. And there was, of course, no water to wash it off. My brethren were waking and doing their morning ablutions. It suddenly sickened me to watch them bath and drink that filth, though I myself was covered in it. I took my place among them, and starting following them in the morning wash, for it was the tradition of our group to do it. But something was wrong in the back of my head. Something that wondered why I was doing these things, while Sume was stuck out there in the dirt.
Something must be done.
But the man was so strong. So very, very strong. I looked down at my hand. It was purple and swelling. Throbbing in that way the cartoon cat’s hand throbs when the mouse whacks it with a mallet. But it wasn’t funny. It wasn’t funny at all.
Can’t do it alone. I’d need help. I’d need …
I looked at the people around me. Blessed lovers of the bride and husband. Blessed brothers and sisters who had devoted themselves to truth, yet washing themselves in lies.
… an army.
I used to stare at this painting every time I visited my artist friends in Peterborough. It’s the kind of painting that grabs by the throat with silky fingers and demands to be gazed at.
My wife must have noticed, because she secretly bought it for me this month.
Paintings used to confuse me. I can look at stories and film and draw meaning from them pretty naturally, but I couldn’t do that with paintings. Until one day I was asking my artist friend what the rules were.
“What rules?” she said.
“The rules in interpreting art. How do I know what the artist is trying to communicate? Do colours mean something? Shapes? Help me out here.” Can you sense my desperate need to have everything defined and quantified?
“No rules, silly. Don’t try to figure out what the artist was trying to say. What is the piece saying to you.”
Sounds simple, eh? Probably something you already knew. But it changed everything for me. I could suddenly see life in an art form I hadn’t understood. I think that’s when I really fell in love with this one.
Go check out Needle and Nest Design. Buy something. Leave an encouraging comment. Pick up some inspiration for your own journey. I sure did. Love you, Ben and Mel.
I looked up at the sky
for I was innocent and fearless
And the sky opened herself to me and showed me glorious things.
Things of sunshine
Things of green
Things of life and light and lovelies uncountable.
And everything was bright and beautiful.
I looked with the longing on a child, my scarlet hair flying in the wind.
I drank with reckless abandon, caring not for the cliche.
In my hunger.
In my desire.
In passion, pure and pleasured.
Oh, it was good.
I looked up at the sky
feared.
For the sky had died.
Grey.
Dark.
Cold.
Silent stony streams with flowed dryly beneath me.
I tilted my head to the heavens, lips parted in desire for something loved and lost.
Hair torn by unknown hands, dipped in oil I could not rinse.
My thirst abandoned me.
and my hunger
desire
blah.
Twit. Twitter. Tweet.
Red, flitting and flying about.
It landed before me, upon the crooked finger of a branch clinging to life.
I wanted to touch.
I wanted to reach.
But I remembered the taint upon my head.
Twit. Twitter. Tweet.
It bore its own mark
yet was beautiful still.
Yet was beautiful still.
Yet loved still.
Am I still lovely?
(yes)
Am I still beautiful?
(yes)
I am pale and thin. I am sick and stained. But do you still look upon me with desire?
(for the good is greater than the taint)
Yes?
(and the root is purer than the branch)
Yes?
(and dare not say otherwise, bride)
I looked up again, the bird was full of love and taint together.
May I touch your bird?
(darling, it was for that reason i sent him)
Even after all these centuries, seeing a thunderclast up close made Kalak shiver. The beast’s hand was as long as a man was tall. He’d been killed by hands like those before, and it hadn’t been pleasant.
Of course, dying rarely was.
Even without his contribution to The Wheel of Time, Brandon Sanderson is a valuable voice in the realm of fantasy. The Way of Kings, the first book in The Stormlight Archive, is his first shot at something with a scope as large as The Wheel of Time or A Song of Ice and Fire. I was a little wary as I picked it up.
I shouldn’t have been.
Like all of his books, the magic system is delicately defined and clever. But unlike books like Mistborn, the world is huge. I was worried about that only because when you read something with so many PoV characters you tend to love some and hate others. That’s what we all found with the Wheel of Time, right? (Oh no, not another Elayne chapter!) But with The Way of Kings I was surprised to see that I wanted to know what was happening with every character.
I enjoy how Sanderson is never afraid of pitting philosophies against each other in his works. Just like in Mistborn he examines concepts of sin vs purity, atheism vs religion and mortality vs ascendancy. And he does it all in ways that do not seem trite or preachy.
The Way of Kings tells the tale of a world at war from the point of view of warring surgeons, thieving scholars and mournful killers. The plot is deep and intricate. The characters are living and lovable. The cultures are many and true. I’m excited to see where this series will go. Pick it up. You won’t regret it.
Quotes:
– “Well, I myself find that respect is like manure. Use it where needed, and growth will flourish. Spread it on too thick, and things just start to smell.”
– “This last year in particular, you’ve become to be the person the others all claim that they are. Can’t you see how intriguing that makes you?”
– “You wonder why I reject the devotaries.”
“I do.”
“Most of them seek to stop the questions.”– “Just an idle comment, nothing more.” He reached over, laying a hand on Kaladin’s shoulder. “My comments are often idle. I never can get them to do any solid work.”
It was little more than three miles from the Wall into the Old Kingdom, but that was enough. Noonday sunshine could be seen on the other side of the Wall in Ancelstierre, and not a cloud in sight. Here, there was a clouded sunset, and a steady rain had just begun to fall, coming faster than the tents could be raised.
I didn’t find out this was technically a young adult novel until after I finished it. And I’m glad of that. Sometimes the labels people put on a book taint it before you get a chance to read it.
Sabriel is a fantasy about the daughter of an undead-slaying necromancer. Raised in a setting that feels like 20th-century earth, she is forced to leave school behind and seek her father deep within the Old Kingdom, a place rich with danger, magic and undead nasty thingies. Sabriel is full of great settings and intrigue. The most attractive part for me was the depth of the world and magics that made it.
The world is divided into two places. Ancelstierre, which is similar to earth a hundred years ago, and the Old Kingdom. They are separated by a great wall which holds back the undead yuckies and magics that try to pour down from the Old Kingdom.
The story was great. The plot was completely driven by the characters and deep. The writing, however, was a little clunky now and then, and that tend to be distracting. Also, the story was told strictly from the point of view of Sabriel herself. Usually I resonate with a book better when there are multiple views points to distract me. But I think that’s more of a failing with me than it is with the book. It’s the first in a series, and I still haven’t decided if I’m going to plunge ahead and get the rest of them. But if you like fantasy and teen novels and deeper-than-usual-coming-of-age tales, give Sabriel a whirl.
Quotes:
Death and what came after death was no great mystery to Sabriel. She just wished it was.
Fear and realization of ignorance were strong medicines against stupid pride.
I’ve been winning for a month. Or nearly a month. When you win it’s hard to keep track of how long you’ve been winning. It’s easier to count the days slip by when you’re losing.
Are you winning?
We all seem to have something inside us prodding us to do something. The something is different for each one of us. Maybe it’s music. Maybe it’s film. Maybe it’s cooking or dancing or painting or sewing or reading or praying or humanitarian aid or jogging or karate. But it’s something. And we feel like it’s our thing to do. So we make plans, set goals and sit down to do our thing. And then, as we approach the starting blocks, it fizzles out and dies.
We feel tired. We feel angry. We feel depressed. We feel like we’re no good a it. We feel like we’ll never accomplish anything. We feel resistance.
My thing is fiction. There is nothing I like more than a good story. I’ve wanted to create my own for as long as I can remember. I’ve had fleeting successes, but I’ve never really been a winner. Until this month. I’m winning now. Every single day. And I think I know why. Shall I share?
Know the Enemy.
There is something insidious that works against anything good, creative or beautiful. It seeks to destroy, inhibit and pervert anything happy and alive. Steven Pressfield calls it Resistance. Theologians call it Sin. I’ve come to call it Hate. I call it that because of the way it rails and bites and spits with no goal other than destruction. Have you felt it? When you sit down to write your story? When you wake up early to start your spiritual disciplines? When you think about putting on your jogging shoes? It’s relentless. It’s evil. It makes you hate your thing. It wants to take you down.
Once I realized it, I understood that every excuse I made for not doing my work was rooted in Hate. And every time I accepted those excuses, Hate won. And my thing was not created. Hate wants all things creative to cease. It’ll do anything it can to kill them. When you know the enemy is there, you realize that every step in the right direction is war. You realize that sometimes you have to work even when you’re hurt (emotionally, mentally, spiritually, physically). Because Hate is always crouching at the door, and it’s desire is to destroy you and your art.
And once you see the enemy, you accept that you must kill it if your thing is to live. And you can take the old Aiel purpose and make it your own: “Till shade is gone, till water is gone, into the Shadow with teeth bared, screaming defiance with the last breath, to spit in Sightblinder’s eye on the last Day.”
Know the Ally
Hate stands against you and your work. Love stands with you. Love, the greatest virtue, is primarily a spiritual and creative thing. Love always builds. Love delight in existence. It was for Love that God made the world. It was in Love that he put a part of himself in every human. And, through Love, we can create and achieve.
All good creativity comes from the Outside. Its root is divine. And when we realize that it is not born within us, but outside us, we see that we can beg for it. We can reach out to the Creator and ask him to send a Muse to kiss our spirit so we can go forward and do what we were meant to do.
And Love, of course, is stronger than Hate. For Love is, foundationally, something. While Hate, foundationally, is a non-thing. Love tends toward order and peace and life and existence. Hate tends towards chaos and violence and death and entropy.
With an Ally like the Creator, how can Hate win? With Love we can trample the brats of hell under our feet and give to the world whatever gifts we have to give.
And so I am winning. And I shall continue to win. And one day you will see the fruits of my victories.
When will I see yours?