Matt W Cook

writer.former fundamentalist.christianly fellow

The State-Sponsored Murder of Love

     Jesus was killed.

     My tradition has always looked at his execution from an abstract, theological point of view. We talk about God getting stuck in a sort of cosmic loop-hole where his previous promise to kill sinners works against his desire to let them live, so he works out a deal with his son in which killing his son makes it so he can let sinners who understand this theological concept off the hook.

     But I find myself looking at it from a different point of view this year.

     Jesus was a different sort of fellow. He refused to accept the conventions of who was ‘us’ and who was ‘them’. He would befriend hookers and foreigners and heretics. He undermined the religious and civil establishment by commanding people to call no one father or teacher or master. He starting knocking the legs out under the power of the empire by telling people to love their enemies and to never repay evil for evil. He upset the commercial establishment by clearing the businessmen from the temple and by telling folks to share everything they had until there were no poor people left. He told people that the Utopian Kingdom of God was within their grasp.

     They had to kill him, of course.

     Not only that, they had to break his message.

     So now, instead of a Jesus who was willing to die before kill, we have a Jesus who blesses our soldiers and weapons manufacturers while condemning bartenders. It’s an easy thing to do. Watch.

     First, we take the premise from Romans 13 that the government is established by God. Then we remember that, while Jesus made it abundantly clear that our only attitude and actions toward our enemies should be love and kindness, God is allowed killing anyone he wants. So when the government tells us to kill, it’s okay! So long as you do it without hating the people in ‘your heart’, as Luther says, “Soldiers, as Christians, should indeed love those enemies – not hate them, hold malice against them, or mistreat captives or civilians – but they have an authorization to do what soldiers have to do.”

     And all the other things that led Jesus to the cross, we steer away from. Instead of eating with hookers and heretics, we rail against them. Instead of turning over the tables of unjust businessmen who use religion as a means of profit and oppress their workers, we support Walmart and Wall Street while condemning the people trying to change the system. Instead of forgiveness, we call for punishment. Instead of rehabilitation, we call for death. Instead of freedom, we set certain men as higher than ourselves, call them ‘government’ and put on fancy clothes and ribbons while we go off killing their enemies.

     That sort of Jesus never would have gone to a cross. He would have started a profitable career in politics.

     But the real love of Jesus threatens everything. It threatens our wealth and safety. It’s risky. It’s full of uncertainties. It’ll kill half the people who sign up for it. But it’s also the only way to life. Jesus proved it.

Thoughts on Thirty

     It happened.

     I’ve been dreading it for five years. I never thought it would come, but it did. I’m thirty.

     I think about death a lot. Most spiritual people seem to be fine with the idea of dying. Not me. Hate it. Rage against it. Thirty feels like a hefty victory for the Dark Stranger.

     And while the icy talons of my own mortality are certainly gripping tighter now, I was surprised to find that thirty greeted me with some very positive realizations.

     The first was the final end to a worldview that had been dying for a while. Since leaving high school, I’ve had reoccurring dreams where I find myself wandering the halls of Centennial Secondary School, lost and late for class. When I finally get to my class (always some kind of History with Mr. Oliver), I discover that I didn’t do any homework. And the rest of the dream is filled with shame and embarrassment as Oliver stares me down.

     On the night before my thirtieth birthday, I had the dream again. But it was different. I was still kinda lost and I still hadn’t done my homework. But I didn’t care. It was my homework to do, after all. It was my learning to get. I was not under the authority of the teachers in this new dream. The school was my place.

     So as I stand in the world, an excitable thirty-year-old, I realize I am not a child. I am no one’s ward. I am a man. An adult. And I do not think that man needs men to govern him. I am free. Under no one’s authority except for those who I chose to look up to. It seems simple enough, and the concept has been coming to me for a while, but it finally hit me hard on April first.

     The second wonderful gift of being thirty was the newly-discovered fact that I am now legally able to be ridiculous. You see, like alcohol and smoking, being ridiculous requires a certain amount of wisdom to enjoy responsibly. I did not realize this, but it turns out thirty is the age at which you may indulge in ridiculousness as will. Excellent. Thanks to the local seller of Prem for pointing this out.

     So, as a responsible ridiculous person, I have decided to sit down and plan out my ridiculousity for the coming year. Here are the ridiculous things I hope to complete before I turn thirty-one:

  • Write another novel. It will be my third. Stories are the best, most accessible and primal way of viewing and explaining the universe and the human condition. Every good story is true, even the ones that never happened.
  • Learn Calculus. Mathematics are the other way of viewing and explaining the universe. It’s less earthy and accessible, but I’ve been told it’s higher and more spiritual. And I’ve wanted to learn math for a long time. It’s nice that I’m finally allowed, legally.
  • Fix my body. Not that it’s broken, of course. But it could work better. And now that it’s getting older, I need it to function as best as it can.
  • Fix my soul. That one is a bit broken, though not as much as it used to be. And there is nothing–NOTHING–that does the soul better than throwing love around in every direction.

     What are you going to do when you get old enough to be ridiculous?

Kierkegaard on Christian Scholarship

“The matter is quite simple. The bible is very easy to understand. But we Christians are a bunch of scheming swindlers. We pretend to be unable to understand it because we know very well that the minute we understand, we are obliged to act accordingly. Take any words in the New Testament and forget everything except pledging yourself to act accordingly. My God, you will say, if I do that my whole life will be ruined. How would I ever get on in the world? Herein lies the real place of Christian scholarship. Christian scholarship is the Church’s prodigious invention to defend itself against the Bible, to ensure that we can continue to be good Christians without the Bible coming too close. Oh, priceless scholarship, what would we do without you? Dreadful it is to fall into the hands of the living God. Yes it is even dreadful to be alone with the New Testament.”

― Søren Kierkegaard, Provocations: Spiritual Writings of Kierkegaard

An Open Letter to my Muse

     Dear Muse,

     We need to talk.

     I want to start by saying that I’m really grateful. Honestly, I am. You’ve given me some amazing things. Two novels, dozens of stories, and so many ideas that I’ll never be able to use them all. It’s great, really.

     And those moments when you come right beside me and we really churn out the goodness? Nothing is better than that. Remember the time we sat in that coffee shop in the dead of winter? There was that chapter that we just couldn’t deal with, then suddenly, boom! There it was! Five thousand words in, like, an hour! Good times, eh?

     So, I’m totally thankful. You know I am.

     But we still need to talk.

     There’s no doubt that the work is best when you’re there doing it with me. You are the talent. You are the flash. Without you, it’s all dull and flat. No doubt at all. But, here’s the thing. I show up everyday. Every single day. I’m here while I’m working and I’m here on my days off. I’m here when I feel like it and I’m here when I don’t. I’m here whether I have the time or not. Because I treat this thing seriously.

     I really wish you’d show up more often. Because I feel like I’m doing my part.

     Now, I’m not trying to blame you or anything. I don’t know much about what a muse does when she’s not helping mortals create. Maybe you’re busy. Maybe you’ve got a family or something. Maybe there’s some muse day job that you need to deal with. I get that. But I have a family and a day job too, y’know?

     You know I love you and your work. I just wonder if maybe we could work out a schedule so that we could get together at the same time. That way we can avoid those awkward moments when you show up just as I’m drifting off to sleep or driving in the car.

     And if that’s not possible, I totally understand. If the way it is is the way it’s gotta be, I can accept that. I’m willing to work around your schedule. Just wanted to throw that out there.

     Anyway, I’m still your biggest fan. Thanks for the great run around you gave me this morning.

     Sincerely,
     Matt

Thoughts on Being a Goofy Dad

     I spent an hour jumping on my bed yesterday.

     I could pretend that I was doing it just so my daughter would feel love and attention. I could pretend that I didn’t enjoy it and I was just putting in my ‘daddy time’ until I could go and read something mature and venerable. But that would be a lie. I freaking love jumping on beds.

     When we were done, I played video games with my son. That was a bit of a serious thing. We’re about 70% through Lego Star Wars and we’re eager to get the 10x Power Brick. I couldn’t pretend to just be going through the motions on that one. It was clear on my face.

     I’m a goofy dad. Almost every day I put on ridiculous music and dance like a ten-year-old with my kids. They seem to enjoy it. I sure do.

     There is something very freeing about being goofy. It allows me to do things that most people would feel self-conscious about. Like dancing in public, wearing silly clothing and chasing my kids around the playground with wild abandon.

     It also helps me connect with my kids. All kids are goofy, and that goofiness tends to fade as they grow up. It just never really went away with me. I don’t know why, but I’m glad it didn’t. Because I know exactly why my daughter loves jumping on the bed and making fart jokes. Because I also love jumping on the bed and making fart jokes. And I also know exactly why my son loves getting every achievement in video games and making fart jokes. Because I also love those achievements and I still love fart jokes.

     “Act your age.”

     Screw that. I’m going to act fun. Three, thirteen or thirty, I’m going to act fun. Because I think that when I stop having fun, I’ll die. And I don’t want to die.

     So I’ll jump on the bed and make my fart jokes. I’ll run and scream in the playground. The kids will laugh and smile with me while a few oh-so-serious parents look on with frowns. I don’t care. I love life. And jumping on beds is a part of life.

Thoughts on Starting a Novel

     The Shadow’s Daughter is done. A couple beta readers are pouring over my final revision and I can’t wait to deal with their considerations, but for now, it’s done.

     When I started The Shadow’s Daughter, I had no idea where it was going. I was doing two strange projects at the same time. One was about a very typical rag-tag group of adventurers off to find a mystic artifact (blaaaah). The other was a series of romantic serials I was writing for my wife. Both those stories died, and from their ashes rose The Shadow’s Daughter, first book of The Chronicler and the Bard.

     Yay, and stuff.

     So now that The Shadow’s Daughter is done, I turn my eyes to the next installment.

     I had forgotten how it felt to start something new.

     I once heard that writing a novel is like walking through a dark wood with a lantern. You only get to see a couple steps ahead of you, but you can get through the whole forest that way.

     Whoever said that didn’t mention the most obvious characteristic about walking through a dark forest with only a lantern.

     It’s scary as hell.

     Seriously, what if you get lost? What if you lose the path? Worse, what if the path is so well travelled that there’s no point in walking it? What if you’re going the wrong way and you never should have entered this stupid forest and why didn’t you wait until daytime and OMG I’M FREAKING OUT!

     So, there’s that.

     It’s also lonely.

     You don’t get to write novels in tandem. And when you try to talk about an unborn novel, it never goes right. People look at you as if you don’t know what you’re talking about. Because, frankly, you don’t. Not yet. You’re still wandering around in the woods.

     Scary and lonely.

     Which is why I’m glad I believe in muses.

     The muse is that strange spiritual critter who tells you the story. She’s the lantern you’re carrying as you wander through the woods. She’s Navi from Zelda who keeps saying “Hey, listen!” And while she may annoy the hell out of you sometimes, she knows the way. She knows the story that she wants you to tell.

     She’s the one who won’t let me get side-tracked or lost. She’s done this before, too. For a jillion years her and her kind have been whispering tales into our ears. She knows what she’s doing. And that’s nice.

     So here I am, just entering the woods again. I’m holding my lantern high and peering into the darkness. I take a step forward, and the lantern’s light stretches a bit further. It’s going to be okay. No, better than that. It’s going to be freaking awesome.

An Open Letter to the Makers of The Lorax

     Dear folks who made The Lorax,

     Thanks.

     Seriously, thanks.

     As I walked my son out from the cinema, he started talking. He said how sad it was that the boy lived in a place where a few people were rich and happy while the rest of the world was dead and grey. He thought it was stupid that everyone listened to the rich man and blindly bought his bottles of air. He asked me if something like that could ever happen in the real world.

     “It is happening, Joe,” I said.

     That made him sad. He asked how he could fix it. I asked him what the boy did in the movie.

     “He planted the tree, even when the boss told him not to,” Joe said.

     It led to a great talk about how we can be responsible for the planet and the resources we have. It led to a great series of questions that most kids don’t get to deal with.

     “What should you do when someone in charge tells you to do something that you think is evil or wrong?” I asked.

     “Don’t listen.”

     “What do you do if I tell you to do something wrong?”

     He paused. “I’m not going to listen to you.”

     That’s my boy.

     So thank you, folks who made The Lorax. Thank you for showing the dark future my son will inherit unless my generation starts caring and making changes. Thank you for encouraging my son to care. And thank you, most of all, for fostering a holy rebellious spirit in his heart. He’ll need it.

Unless someone like you cares a whole awful lot,
nothing is going to get better. It’s not.

When Someone Leaves

I’ve never been that good at saying goodbye. I tend to watch those people who get all tearful in airports and wonder what it’d be like to feel that way. It’s not that I’m stone-cold or anything. I just feel the leaving of loved-ones in a different way, I guess.

When we’re at the airport, I’m still with them. As they walk away, I can still see them. When I get back into my car, I can trick myself into thinking I just dropped them off at work. Even the next day I can imagine they are still living in my house. Maybe they stepped out to get milk or take my kid to school, like they always were willing to do.

The loss grows over time. I’ve heard about amputees getting a ‘phantom limb’ sensation. It feels like it’s still there, until you try to grab something with it.

Ruth and I woke up pretty late Sunday morning. The kids were already up. I felt the first bit of phantomness. Jodi’s door was open and her room was dark, cold and empty. No one was making tea. I looked at the kettle for a bit before making the pot myself. I could not remember the last time I made my own pot of morning tea. It was weird.

Sunday was a busy day. Lots of moving. Lots of noise and activity. But it felt so quiet. Despite the fact that my house was filled with all the beautiful people I live with, there was something missing. I guess that’s what happens when you say goodbye to someone you love that’s been living with you for … almost two years? Wow. Doesn’t seem that long…

I’m not good at saying goodbye. But I’m good at being with people. I guess that’s what counts. Just like a man’s last words don’t matter nearly as much as all the words and deeds that came before them.

I found a message on my phone late last night. It was from Jodi. She’s home she says. That made me pause. Of course she’s home. Abu Dhabi is her home now, right? Right. It is. It’s where she lives.

But home is also where the heart is. So her real home’s in her chest. Te he.

But home is also where the heart is. So her real home will always be with me and Ruth and all those other people who love her. Welcome home, Jodi. We’ll see you again soon.

Elizabeth Gilbert on Genius

     Elizabeth Gilbert, author of Eat, Pray, Love, gave a great TED Talk about where creativity comes from. Watch it.

     For years I have thought that genius and creativity was from the outside. The artist does not generate her art, she translates the whisperings she hears onto page or canvas or sound.

Doing Nothing

I’m very nearly done the last revision of my novel.  It’s holding steady at about 181,000 words.  Keeps me pretty busy.  So busy that I hardly have a moment to blog, except from my phone while sitting here on the bus.  When I’m busy like this I become thankful that I’m good at the art of doing nothing.

Have you ever done nothing?  I don’t mean vegging in front of the TV or spacing out in a video game.  Have you ever done nothing?

We have been programmed to think that if what we are doing is not making money or moving toward making money, we are wasting time.  As if our role as humans is to be productive. As if there is some virtue in moving matter from one place and in one form to another.  And so we work long hours and feel guilty when we take breaks, as if we owe some cosmic force a time quota.

But I don’t think that way.  I only allow myself to get as busy as I want to be.  And sometimes I just do nothing.  Nothing.

I sit there.  The clocks slow.  I don’t sleep or rest or escape.  I don’t listen to music or turn on the TV.  I just sit and enjoy sitting.

We are not really a pleasure-driven culture.  We are driven by entertainment and productivity.  We are always doing one or the other.  But when was the last time you just sat?